![]() ![]() These controls adjust the volume by performing mathematical computation on the audio samples, resulting in a loss of fidelity, particularly when the volume is decreased by more than a few dB. The Achilles’ heel of DAC/preamplifiers has been the digital-domain volume control. Although not a budget product at $10,000, the P1 offers features and performance that many more expensive servers fail to deliver. The icing on the cake is the beautiful build-quality and elegant casework. The P1 doesn’t include integral music storage, but you can add Lumin’s L1, a small outboard hard-disk drive with either 2TB or 5TB of storage. Add full MQA decoding and Roon Ready operation along with a sophisticated fully balanced DAC, and you have the makings of a serious product. It even has three HDMI inputs with 4k passthrough and ARC (Audio Return Channel) along with an HDMI output-important features if you use the P1 as part of a multimedia system. The product combines a network streamer and DAC along with extensive preamplifier functions, including ten digital and analog inputs, source switching, and volume control. The P1 offers a feature set precisely tailored to today’s music systems, blurring the lines between traditional component categories. Fans of Stevie Ray Vaughn, Jimi Hendrix, and even Eric Clapton will enjoy this, as it is a tremendous guitar record.If you want an example of how far music servers have advanced in the last ten years, look no further than Lumin’s new P1 network player. Overall, “A Space in Time” is a very underrated album by a very underrated band. But it’s a hard world with the junkie blues.” ‘Cause it’s a good life, too good to lose. “Got no monkey on my back, and I’m never gonna crack. Another underscore of the record is anti-drug song Hard Monkeys, in which argues that life is too good to risk using drugs. Let the Sky Fall is a standout track, in which includes psychedelic vocals not unlike Jimi Henrix's The Wind Cries Mary. “A Space in Time” proves to be a diverse album, ranging from the folky Here They Come, to the 50’s throwback Baby Won’t You Let Me Rock and Roll You. ![]() Lee’s best performance however, is in single I’d Love to Change the World, in which his leads are truly incendiary. Uncle Jam is another highlight of Lee’s play on this record, it is practically a two-minute jam in which trades off between solos from Lee and Churchill (on keyboards). Starting off with slower leads in the verses, the track builds to a faster, Stevie Ray Vaughn-esque solo. The opener One of These Days is a tremendous example of this. His blues style is somewhat of a hybrid of Stevie Ray Vaughn and Eric Clapton, and is successful at many speeds. While listening to this album it’s easy to come to the assumption that Alvin Lee is underrated and virtually unknown. The album itself however, is a well-developed and diverse blues record. “A Space in Time” was the band’s best seller, and the only album in which they had a successful single. In the late 60’s and early 70’s the band released several critically acclaimed records, including “Ssssh” and “A Space in Time.” Guitarist and vocalist Alvin Lee was the driving force behind the band, providing exceptional blues leads and the majority of the songwriting. Ten Years After was a blues rock band that was formed in Nottingham, England in 1967. This piano and acoustic guitar driven song flows beautifully, with the help of some tremendous blues guitar and a simple message “I’d love to change the world, but I don’t know what to do, so I leave it up to you.” After hearing the song, I decided to check out the album, and what I discovered was an excellent blues rock record. He described I’d Love to Change the World as one of the greatest songs of his generation, and having listened to it, I have to agree. Review Summary: "A Space in Time" is an intricately developed and diverse blues rock record.Ībout a week ago, my father asked me to check out a song. ![]()
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